The difference between playthrough 1, and playthrough 10

whisperingwolf:

Everything That Will Kill You… From A to Z

 

clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID clementineh:

guess who’s sorry
it might be me

FRICKIN OMID

clementineh:

guess who’s sorry

it might be me

FRICKIN OMID

(Source: ForGIFs.com)

miss-nerdgasmz:

taco-marco:

staff:

starting today all blogs without the following image will be deleted within 24 hours

image

i’m not even afraid of deletion. i just want this image on my blog

#It’s dangerous to go alone #Use this ~

(Source: spookykevin-pls)

samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"

samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.

From Left to Right, Top to Bottom:

What NOT to do (front):

  • Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
  • Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
  • Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!

What to do (front)

  • Keep both eyes open
  • Bend your elbows downwards and towards the ground to make yourself a smaller target
  • Bend your knees to control the gun’s recoil + be ready to move.

What NOT to do (side)

  • Don’t put the stock above your shoulder
  • Don’t lean back.
  • Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.

What to do (side)

  • Bury the stock of the rifle into the meaty part of your shoulder
  • Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
  • Bend your knees slightly to lean forward, as well as make yourself a smaller target

Patrol/Relaxed Stance

  • The soldier is relaxed and is most likely moving around.
  • His eyes are searching for possible threats
  • His hands are still on the rifle, even if he has a sling on

Low Ready Stance

  • Possible threat has been detected
  • Entire body shifts towards threat direction
  • Stock is shouldered 
  • Eyes are focused on the possible target
  • Gun barrel is pointed in the target’s general direction, but not directly at the target.

Firing Stance

  • Immediate response
  • Soldier fires off shots while screaming to the other people in his team
  • "CONTACT!" or "THREAT!"

rainbowolfe:

Let’s just get into the halloween spirit.

Album Art

anusirwin:

demcashtonfeels:

nate-river-but-call-me-near:

anitalife:

lord-snow-of-winterfell:

iamlingy:

amieleighluna:

cavum:

i heard the first 2 seconds and I clicked reblog

YES!

THIS IS MAH JAM

image

I literally spent the whole time dramatically singing in my room

I cried at the episode. 

THIS EPISODE WAS ON YESTERDAY AND I LITERALLY VIDEOED IT AND SENT IT TO MY FRIEND.

THIS EPISODE CHANGED MY LIFE

Played 1898815 times.
whitebeltwriter:

dual-destininies:

derples:

dual-destininies:

tf2-fandomstuck:

tiniestshorts:

Bread knife

The french have grown more powerful. 


Hold it!

Look more closely at these photographs, Your Honor.


Notice anything strange about the bread?

I didn’t either. That’s because…

…no cuts were made there in the first place!

The witness forged the photographs to make it look like they had an actual bread knife, when they actually did not!

How, you ask? Look to the second photo.


While it is quite obvious that the knife is penetrating the top half of the breadstick, I’m not sure about the bottom half.

Looks pretty flat, doesn’t it?

The angle of the photo makes it look like the knife is in the witness’s breadstick, whilst it is actually behind it. In addition, the cut was actually made after the first photograph and before the second. Continue to the third photograph.


It is also taken from a flat angle, as was the second photograph. I’m sure you’re finding something missing in this photograph as well, Your Honor. Where is the index finger’s fingertip?

This illustration explains it all.


While I am… ahem, not the best artist…
(Didn’t I go to art school?)

The index finger is hidden behind the loaf of bread. It is not wrapping around the loaf of bread. This is because…

The witness was making space to put the knife’s handle!

Objection

Are you really that dull, Wright? For a man who majored in art you should be able to recognize a sculpture when you see one.

as we can see from the photos provided, this is quite obviously plastic.

if you look at any photo of real bread it can’t attain that level of shininess, and even if it could.

If you’ll notice in this picture, the bread on the inside is quite shiny, as well.

Tell me, Wright, have you ever seen real bread gleam that much? Don’t answer that, I will.

Even in this high-resolution photograph with bread that thick, it obviously wouldn’t shine on the inside when it isn’t buttered.

And it isn’t too hard to find the item in question with a quick google search.

Oh, and if you will notice, their hand was covering the seam where the bread was taken apart in the first photo with a simple comparison of the pattern on the bread.

It appears your lawyering skills are in much need of some sharpening if you expect to cut me down with that weak objection.



Edgeworth, you’re asking yourself the wrong question. It’s not “is there bread like that…”

You should be asking “can there be bread like that?”

Sweet bread can be infused with sugar or a syrup, making the outsides shinier- and the insides sweeter. Take a look.


Furthermore. there are parts of the witness’s bread knife that don’t just match up with the novelty bread knives you have presented. Take another look.



Let me point out two things about the novelty knives: one, their markings, and two, the placement of the knife itself.

In the novelty knives, the marks are artificial-looking and repeated. That is because they are manufactured. In the witness’s photo, the marks are more natural and realistic- because they are, well, real!

Furthermore, the blades on the novelty knives are in the middle of the handle.
But… look back at the witness’s photo. The knife is to the left? Where is the problem, you ask? Look at this illustration.


Here we have the knife, a piece of bread, and a table. Let’s have a go.


I’m sure you see it now, Your Honor.

The bread knife cannot actually be used to cut bread efficiently! Even if it was tilted, it would be uncomfortable and unbalanced!

The defense has an explanation for this positioning.

The blade is to the left because the witness was holding it behind the piece of bread!


whitebeltwriter:

dual-destininies:

derples:

dual-destininies:

tf2-fandomstuck:

tiniestshorts:

Bread knife

The french have grown more powerful. 


Hold it!

Look more closely at these photographs, Your Honor.


Notice anything strange about the bread?

I didn’t either. That’s because…

…no cuts were made there in the first place!

The witness forged the photographs to make it look like they had an actual bread knife, when they actually did not!

How, you ask? Look to the second photo.


While it is quite obvious that the knife is penetrating the top half of the breadstick, I’m not sure about the bottom half.

Looks pretty flat, doesn’t it?

The angle of the photo makes it look like the knife is in the witness’s breadstick, whilst it is actually behind it. In addition, the cut was actually made after the first photograph and before the second. Continue to the third photograph.


It is also taken from a flat angle, as was the second photograph. I’m sure you’re finding something missing in this photograph as well, Your Honor. Where is the index finger’s fingertip?

This illustration explains it all.


While I am… ahem, not the best artist…
(Didn’t I go to art school?)

The index finger is hidden behind the loaf of bread. It is not wrapping around the loaf of bread. This is because…

The witness was making space to put the knife’s handle!

Objection

Are you really that dull, Wright? For a man who majored in art you should be able to recognize a sculpture when you see one.

as we can see from the photos provided, this is quite obviously plastic.

if you look at any photo of real bread it can’t attain that level of shininess, and even if it could.

If you’ll notice in this picture, the bread on the inside is quite shiny, as well.

Tell me, Wright, have you ever seen real bread gleam that much? Don’t answer that, I will.

Even in this high-resolution photograph with bread that thick, it obviously wouldn’t shine on the inside when it isn’t buttered.

And it isn’t too hard to find the item in question with a quick google search.

Oh, and if you will notice, their hand was covering the seam where the bread was taken apart in the first photo with a simple comparison of the pattern on the bread.

It appears your lawyering skills are in much need of some sharpening if you expect to cut me down with that weak objection.



Edgeworth, you’re asking yourself the wrong question. It’s not “is there bread like that…”

You should be asking “can there be bread like that?”

Sweet bread can be infused with sugar or a syrup, making the outsides shinier- and the insides sweeter. Take a look.


Furthermore. there are parts of the witness’s bread knife that don’t just match up with the novelty bread knives you have presented. Take another look.



Let me point out two things about the novelty knives: one, their markings, and two, the placement of the knife itself.

In the novelty knives, the marks are artificial-looking and repeated. That is because they are manufactured. In the witness’s photo, the marks are more natural and realistic- because they are, well, real!

Furthermore, the blades on the novelty knives are in the middle of the handle.
But… look back at the witness’s photo. The knife is to the left? Where is the problem, you ask? Look at this illustration.


Here we have the knife, a piece of bread, and a table. Let’s have a go.


I’m sure you see it now, Your Honor.

The bread knife cannot actually be used to cut bread efficiently! Even if it was tilted, it would be uncomfortable and unbalanced!

The defense has an explanation for this positioning.

The blade is to the left because the witness was holding it behind the piece of bread!


whitebeltwriter:

dual-destininies:

derples:

dual-destininies:

tf2-fandomstuck:

tiniestshorts:

Bread knife

The french have grown more powerful. 


Hold it!

Look more closely at these photographs, Your Honor.


Notice anything strange about the bread?

I didn’t either. That’s because…

…no cuts were made there in the first place!

The witness forged the photographs to make it look like they had an actual bread knife, when they actually did not!

How, you ask? Look to the second photo.


While it is quite obvious that the knife is penetrating the top half of the breadstick, I’m not sure about the bottom half.

Looks pretty flat, doesn’t it?

The angle of the photo makes it look like the knife is in the witness’s breadstick, whilst it is actually behind it. In addition, the cut was actually made after the first photograph and before the second. Continue to the third photograph.


It is also taken from a flat angle, as was the second photograph. I’m sure you’re finding something missing in this photograph as well, Your Honor. Where is the index finger’s fingertip?

This illustration explains it all.


While I am… ahem, not the best artist…
(Didn’t I go to art school?)

The index finger is hidden behind the loaf of bread. It is not wrapping around the loaf of bread. This is because…

The witness was making space to put the knife’s handle!

Objection

Are you really that dull, Wright? For a man who majored in art you should be able to recognize a sculpture when you see one.

as we can see from the photos provided, this is quite obviously plastic.

if you look at any photo of real bread it can’t attain that level of shininess, and even if it could.

If you’ll notice in this picture, the bread on the inside is quite shiny, as well.

Tell me, Wright, have you ever seen real bread gleam that much? Don’t answer that, I will.

Even in this high-resolution photograph with bread that thick, it obviously wouldn’t shine on the inside when it isn’t buttered.

And it isn’t too hard to find the item in question with a quick google search.

Oh, and if you will notice, their hand was covering the seam where the bread was taken apart in the first photo with a simple comparison of the pattern on the bread.

It appears your lawyering skills are in much need of some sharpening if you expect to cut me down with that weak objection.



Edgeworth, you’re asking yourself the wrong question. It’s not “is there bread like that…”

You should be asking “can there be bread like that?”

Sweet bread can be infused with sugar or a syrup, making the outsides shinier- and the insides sweeter. Take a look.


Furthermore. there are parts of the witness’s bread knife that don’t just match up with the novelty bread knives you have presented. Take another look.



Let me point out two things about the novelty knives: one, their markings, and two, the placement of the knife itself.

In the novelty knives, the marks are artificial-looking and repeated. That is because they are manufactured. In the witness’s photo, the marks are more natural and realistic- because they are, well, real!

Furthermore, the blades on the novelty knives are in the middle of the handle.
But… look back at the witness’s photo. The knife is to the left? Where is the problem, you ask? Look at this illustration.


Here we have the knife, a piece of bread, and a table. Let’s have a go.


I’m sure you see it now, Your Honor.

The bread knife cannot actually be used to cut bread efficiently! Even if it was tilted, it would be uncomfortable and unbalanced!

The defense has an explanation for this positioning.

The blade is to the left because the witness was holding it behind the piece of bread!

whitebeltwriter:

dual-destininies:

derples:

dual-destininies:

tf2-fandomstuck:

tiniestshorts:

Bread knife

The french have grown more powerful. 

Hold it!

Look more closely at these photographs, Your Honor.

Notice anything strange about the bread?

I didn’t either. That’s because…

…no cuts were made there in the first place!

The witness forged the photographs to make it look like they had an actual bread knife, when they actually did not!

How, you ask? Look to the second photo.

While it is quite obvious that the knife is penetrating the top half of the breadstick, I’m not sure about the bottom half.

Looks pretty flat, doesn’t it?

The angle of the photo makes it look like the knife is in the witness’s breadstick, whilst it is actually behind it. In addition, the cut was actually made after the first photograph and before the second. Continue to the third photograph.

It is also taken from a flat angle, as was the second photograph. I’m sure you’re finding something missing in this photograph as well, Your Honor. Where is the index finger’s fingertip?

This illustration explains it all.

While I am… ahem, not the best artist…

(Didn’t I go to art school?)

The index finger is hidden behind the loaf of bread. It is not wrapping around the loaf of bread. This is because…

The witness was making space to put the knife’s handle!

Objection

Are you really that dull, Wright? For a man who majored in art you should be able to recognize a sculpture when you see one.

as we can see from the photos provided, this is quite obviously plastic.

if you look at any photo of real bread it can’t attain that level of shininess, and even if it could.

If you’ll notice in this picture, the bread on the inside is quite shiny, as well.

Tell me, Wright, have you ever seen real bread gleam that much? Don’t answer that, I will.

Even in this high-resolution photograph with bread that thick, it obviously wouldn’t shine on the inside when it isn’t buttered.

And it isn’t too hard to find the item in question with a quick google search.

Oh, and if you will notice, their hand was covering the seam where the bread was taken apart in the first photo with a simple comparison of the pattern on the bread.

It appears your lawyering skills are in much need of some sharpening if you expect to cut me down with that weak objection.

Edgeworth, you’re asking yourself the wrong question. It’s not “is there bread like that…”

You should be asking “can there be bread like that?”

Sweet bread can be infused with sugar or a syrup, making the outsides shinier- and the insides sweeter. Take a look.

Furthermore. there are parts of the witness’s bread knife that don’t just match up with the novelty bread knives you have presented. Take another look.

Let me point out two things about the novelty knives: one, their markings, and two, the placement of the knife itself.

In the novelty knives, the marks are artificial-looking and repeated. That is because they are manufactured. In the witness’s photo, the marks are more natural and realistic- because they are, well, real!

Furthermore, the blades on the novelty knives are in the middle of the handle.

But… look back at the witness’s photo. The knife is to the left? Where is the problem, you ask? Look at this illustration.

Here we have the knife, a piece of bread, and a table. Let’s have a go.

I’m sure you see it now, Your Honor.

The bread knife cannot actually be used to cut bread efficiently! Even if it was tilted, it would be uncomfortable and unbalanced!

The defense has an explanation for this positioning.

The blade is to the left because the witness was holding it behind the piece of bread!

(Source: tiniestcostume)

zedrin-stormshock:

nunsnroses:

nijuukoo:

Art by Cyril Rolando

I feel like this really expresses each instrument.

Hey no joke
this guy has some of the best tutorials on various aspects of art (including color!)
Check him out, seriously.
zedrin-stormshock:

nunsnroses:

nijuukoo:

Art by Cyril Rolando

I feel like this really expresses each instrument.

Hey no joke
this guy has some of the best tutorials on various aspects of art (including color!)
Check him out, seriously.
zedrin-stormshock:

nunsnroses:

nijuukoo:

Art by Cyril Rolando

I feel like this really expresses each instrument.

Hey no joke
this guy has some of the best tutorials on various aspects of art (including color!)
Check him out, seriously.
zedrin-stormshock:

nunsnroses:

nijuukoo:

Art by Cyril Rolando

I feel like this really expresses each instrument.

Hey no joke
this guy has some of the best tutorials on various aspects of art (including color!)
Check him out, seriously.
zedrin-stormshock:

nunsnroses:

nijuukoo:

Art by Cyril Rolando

I feel like this really expresses each instrument.

Hey no joke
this guy has some of the best tutorials on various aspects of art (including color!)
Check him out, seriously.
zedrin-stormshock:

nunsnroses:

nijuukoo:

Art by Cyril Rolando

I feel like this really expresses each instrument.

Hey no joke
this guy has some of the best tutorials on various aspects of art (including color!)
Check him out, seriously.

zedrin-stormshock:

nunsnroses:

nijuukoo:

Art by Cyril Rolando

I feel like this really expresses each instrument.

Hey no joke

this guy has some of the best tutorials on various aspects of art (including color!)

Check him out, seriously.

(Source: crossconnectmag)

A king’s arrival is never silent

(Source: veebrak-halloweenpun)

madvlogz:

savanaugh:

souleaterunlimited:

savanaugh:

I AM ON A MISSION. I AM GOING TO FOLLOW EVERY BLOG ON THIS SITE. ALL OF THEM. HELP ME ACHIEVE THIS GOAL, INTERNET STRANGERS, BY REBLOGGING THIS POST AND I WILL FOLLOW ALL WHO REBLOG IT. E V E R Y O N E.

I want to call bullshit but I can’t take that chance 

good.

holy shit you’re really doing it

the-vashta-nerada:

shakeitupbaby:

the-vashta-nerada:

the-vashta-nerada:

i tried to write a kid’s song and oh god where did i go wrong

no really someday my kids will be like “mom sing us a lullaby” and i’ll sing this song  about snails and setting churches on fire and killing homeless men and hookers and drugs and suicide

this song made my kid cry.

WHY WOULD YOU PLAY THIS FOR YOUR CHILD

SOMEONE PLEASE ANIMATE THIS

Played 50405 times.
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"
samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.
From Left to Right, Top to Bottom:
What NOT to do (front):
Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!
What to do (front)
Keep both eyes open
Bend your elbows downwards and towards the ground to make yourself a smaller target
Bend your knees to control the gun’s recoil + be ready to move.
What NOT to do (side)
Don’t put the stock above your shoulder
Don’t lean back.
Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.
What to do (side)
Bury the stock of the rifle into the meaty part of your shoulder
Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
Bend your knees slightly to lean forward, as well as make yourself a smaller target
Patrol/Relaxed Stance
The soldier is relaxed and is most likely moving around. 
His eyes are searching for possible threats
His hands are still on the rifle, even if he has a sling on
Low Ready Stance
Possible threat has been detected
Entire body shifts towards threat direction
Stock is shouldered 
Eyes are focused on the possible target
Gun barrel is pointed in the target’s general direction, but not directly at the target.
Firing Stance
Immediate response
Soldier fires off shots while screaming to the other people in his team
"CONTACT!" or "THREAT!"

samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.

From Left to Right, Top to Bottom:

What NOT to do (front):

  • Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
  • Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
  • Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!

What to do (front)

  • Keep both eyes open
  • Bend your elbows downwards and towards the ground to make yourself a smaller target
  • Bend your knees to control the gun’s recoil + be ready to move.

What NOT to do (side)

  • Don’t put the stock above your shoulder
  • Don’t lean back.
  • Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.

What to do (side)

  • Bury the stock of the rifle into the meaty part of your shoulder
  • Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
  • Bend your knees slightly to lean forward, as well as make yourself a smaller target

Patrol/Relaxed Stance

  • The soldier is relaxed and is most likely moving around.
  • His eyes are searching for possible threats
  • His hands are still on the rifle, even if he has a sling on

Low Ready Stance

  • Possible threat has been detected
  • Entire body shifts towards threat direction
  • Stock is shouldered 
  • Eyes are focused on the possible target
  • Gun barrel is pointed in the target’s general direction, but not directly at the target.

Firing Stance

  • Immediate response
  • Soldier fires off shots while screaming to the other people in his team
  • "CONTACT!" or "THREAT!"
In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you. In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you. In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you. In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you. In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you. In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you. In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you. In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you.

In honor of all the people that start celebrating Halloween a whole month in advance.

That’s right, I’m looking at you.